Our Team
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Krzysztof Jastrząb
Head of Pro‑Ton Studio
Sound engineer with decades of experience on film sets and in post-production. Ph.D Professor at the Fryderyk Chopin University of Music in Warsaw - a lecturer at the Department of Sound Engineering. A dedicated mentor to the next generation of sound professionals. A legend of foley in Poland. Winner of the Polish Film Award (Orzeł) for Best Sound for the film “Excentrycy, czyli po słonecznej stronie ulicy” (“The Eccentrics: On the Sunny Side of the Street”, 2015).
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Izabela Wiejaczka
Studio manager
She loves her job for the direct contact it offers with sound engineers and producers. This connection allows her to ensure coherent sound aesthetic for each project and to coordinate the studio workflow for the best possible results. This is what truly fulfills her. In foley, she enjoys to imitating props - her energetic spirit thrives on the diversity and dynamic movements involved. As a sound producer, she also records classical music, usually guitar or chamber. Her passions are natural medicine and plant-based cuisine.
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Mateusz Irisik
Imitator efektów synchronicznych, montażysta dialogów, operator dźwięku na planie, gitarzysta. Jego pasję do muzyki i aktorstwa spotkały się w aktorstwie dźwiękowym - imitacji. W efektach synchronicznych uwielbia ich organiczność - to, że by odnaleźć prawdę i piękno, trzeba zaangażować całego siebie - wszystkie zmysły, ciało, głowę i serce. Nagrodzony Orłem na Festiwalu Polskich Filmów Fabularnych za najlepszy dźwięk w filmie "Excentrycy, czyli po słonecznej stronie ulicy" (2015).
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Denis Dubiella
Sound engineer and musician. In his film-related work his favourite job is foley mixing, especially for animated movies. He tackles the most challenging scenes (and situations!) with ease. In his music-related work he does music mixing and plays the bass. He spends his free time on sewing, knitting and archery.
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Agata Spychalska
She is the driving force behind the studio's development and growth. Her passion for foley is driven by the artistry of sound mixing, so each foley effect sits perfectly in its spatial context. She dives into anything she tries - from imitating footsteps to… editing reels for IG. As a sound engineer, she also does sound postproduction for short films.
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Wojciech Grabowski
Specialist in editing and synchronization, ensuring rhythm and cohesion.
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Miłosz Bogić
In film sound, his greatest fascination lies in the ability to convey the authenticity of the world on screen, that’s why he's the go-to expert for every dynamic action scene. He also excels in the dialogue editing world - making Polish films comprehensible. Miłosz works at the Department of Sound Engineering of the Fryderyk Chopin University of Music in Warsaw. His great passion is choral music - he’s a music producer and the conductor of the Varslavia Orthodox Music Ensemble.